Posts Tagged fantasy

A Novel Approach to Readers’ Advisory

By Mimi Powell on September 9, 2019 / Articles, For Librarians

Cover The Reader's Advisory Guide to Genre Fiction

Normally when a middle-grader comes into the library looking for a book, librarians will focus on a title’s genre and subject matter. They’ll try to match these up to the reader’s interests, such as mysteries, sports books, or science fiction. But it can be tough to pin down the exact type of experience that our readers are looking for. Dominique McCafferty, the Childrens’ Collection Management Librarian at Library System & Services, recommends using a different method of finding the right read, using the super genres developed by Neal Wyatt and Joyce Saricks in their book,The Reader’s Advisory Guide to Genre Fiction (3rd ed).

The super genres that Wyatt and Saricks use focus more on the experience of reading. Their genres are: Adrenaline, Intellect, Landscape, and Emotion. Each of these can contain a number of different subjects and interests. In this post, we’ll show you how the traditional genre of mysteries can translate into all of these different super genres. We’ll also give examples of how to broaden your reader’s interests using these same categories.

Books in the adrenaline genre are the ones that readers will finish in one-sitting. Adrenaline books are all about speed. Tightly plotted, and fast paced, Thrillers, suspense, and adventure are among the traditional genre types in the adrenaline category. Mysteries like The 39 Clues are a great example of mysteries that fall into the adrenaline genre. They Cahills race around the globe to beat their greedy relatives to the clues. They’re adventurous because the Cahills often face danger from not only their relatives but also the environment and other enemies. Ultimately, The 39 Clues are mysteries because the Cahills work to figure out the clues that were left behind by their grandmother and solve the mystery of their family. But because of their fast pace and the thrilling adventure, the series also fits well within the adrenaline genre.

Mysteries would normally be found in the intellect genre. This is the genre of books that challenge the mind with language, puzzles, and science. The Westing Game by Ellen Raskin would be a classic example of mystery in this genre with it’s puzzles and wordplay. Books in the intellect genre can also have lyrical language. Science fiction also tends to fall into this genre because of the science and technology involved. In The Westing Game, a wealthy businessman leaves his fortune to the tenants of a neighboring apartment complex. But first, they need to solve the mystery that he’s left them. It’s a similar plot to The 39 Clues, but the focus in The Westing Game is not on adventure. In fact, most of the story takes place at the apartment complex. Instead, The Westing Game focuses on the puzzles left to each pair of heirs, making it an ideal selection for the intellect genre.

If mysteries are normally at home in the intellect genre, then the world-building genre would be the realm of fantasy. But not always. Books in the landscape genre transport readers to a wholly different realm. For example Kate Milford’s Greenglass House is the rich, spooky setting for her mystery of the same name. Sitting on the edge of a cliff, Greenglass House is an inn that welcomes smugglers. Mysterious guests pour into the inn during the winter months when it is normally quiet, and each has a story. When guests belongings start to go missing, it’s up to Milo, the son of the inns’s owners, and Meddy, the cook’s daughter to figure out the mystery of Greenglass House.

Finally, the emotion genre brings out strong emotions in its readers. Swoony stories of first crushes, touching family stories, and even horror stories all fall into this genre. Thornhill by Pam Smy is just such a horror story. Part graphic novel, Thornhill is a spine-tingling mystery about the last days of Thornhill Institute, and the new girl in town who is intrigued by its tragedy. In dual narratives, Thornhill tells the story of Mary, one of the last residents of the Institute who is bullied by the other girls, and much later, Ella, a lonely girl who becomes fascinated with Thornhill and the girl she sometimes sees still inside. Mary’s story is told through her diary entries, while Ella’s is told through black and white illustrations. It’s a spooky, atmospheric read, but it’s also a mystery, as Ella discovers the truth about the girl in Thornhill.

These titles would all appeal to mystery lovers, and the super genres help librarians narrow down the type of mystery a reader is looking for. But these categories help readers expand their horizons. For example, a reader interested in the fast-paced adrenaline genre might enjoy the I Survived series by Lauren Tarshis. These historical fiction adventures place kids at the center of real life disasters. Or they might like Tristan Strong Punches a Hole in the Sky by Kwame Mbalia. In this fantasy, a seventh-grader plunges into a conflict between gods, heroes, and monsters.

In the intellect genre, readers can be as intrigued by novels in verse like Aida Salazar’s The Moon Within. But they may also enjoy the STEM thriller, Charlie Thorne and the Last Equation by Stuart Gibbs.

These all-encompassing genres are a great tool for librarians to help readers narrow down exactly what they’re looking for. And they also help readers to find new books that might interest them.

Editor Spotlight: Charlie Ilgunas’s Buzz on Middle Grade!

By Gail Shepherd on June 28, 2019 / Articles, Editor / Agent Spotlight

Charlie Ilgunas is Associate Editor at Little Bee Books, which publishes titles for kids 0-12; Little Bee’s new Middle Grade imprint is Yellow Jacket. He earned his BA from Washington University in Saint Louis and a Graduate Certificate in Publishing from the University of Denver, after which he interned at Bloomsbury before moving to Little Bee. Charlie signed his first title as an editorial assistant at Little Bee five years ago. He works mainly on picture books and middle grade.

Hi Charlie, thanks for chatting with us. I’ll say right up front that Yellow Jacket published some of my favorite middle grade titles this year and last: Rajani LaRocca’s delicious Midsummer’s Mayhem, which is getting all kinds of attention, Samuel Pollen’s The Year I Didn’t Eat, about a boy with anorexia, and Melanie Sumrow’s The Prophet Calls, which centers on a girl living inside a religious cult. These are three wildly different middle grade books in subject, theme, and tone, so I’m wondering—what made them all just right for Yellow Jacket?

That selection really speaks to the diverse tastes of our editors here at Little Bee/Yellow Jacket. Some of us are interested in delving into heavier subjects like Samuel’s, some love magical realism and reimagingings of classics like Rajani’s, and some are interested in dropping children into stories that would be completely outside their experience like Melanie’s. And though we’re still guided by our goals of publishing books about acceptance, anti-bullying, awareness, diversity, and empowerment, because middle grade is a fairly new venture for us, we have a lot of freedom to make our case for submissions that may fall outside those guidelines if we see a need in the market for something else or are just moved by a stunning manuscript.

Little Bee Becomes an Indie

In a starred review, Kirkus called Rajani LaRocca’s debut “A delectable treat for food and literary connoisseurs.”

Can you give us a little industry background on Little Bee and Yellow Jacket? I understand Little Bee was recently purchased by its original founders. What’s the relationship with Simon & Schuster? I really love how GLBTQ-positive Little Bee is. How does the partnership with GLAAD work?

Bonnier started Little Bee five years ago, and we launched Yellow Jacket’s first titles last summer. We also have a licensing imprint, BuzzPop, created about a year after Little Bee. Simon & Schuster has been our distributor since we started, and we’ve built a great relationship with their sales team. The last five years have gone pretty well for us—we’ve had such wonderful responses to so many of our books over these years. But because of circumstances outside our control, Bonnier was considering selling Little Bee. Our CEO and CFO offered to buy the company from them, and luckily that all worked out. So now we’re an independent publisher, which has been a pretty exciting transition!

Our partnership with GLAAD came about not too long after I acquired Prince & Knight. We decided we wanted to make a major commitment to publishing LGBTQ+ stories, because we saw how lacking the children’s space was at the time. Now there are so many books out there, especially heavily promoted at stores every Pride month, which warms my heart! So we were looking for partners to help us collaborate on books, developing topics and giving feedback on submissions, as well as assisting us in getting word out about them. GLAAD has been a major help in that regard.

The Buzz on Editing Middle Grade

When I ask people what makes a book middle grade, they usually say something like: a focus on friendship and family. But so many middle grade books are also exploring political activism, gender identity, mental health—subject matter that used to lean more YA. What’s your take? Are kids from 8-12 more sophisticated now? More prepared to handle tougher topics?

Middle grade stories can really go anywhere. It’s my favorite age range, because children are equipped and ready to choose books on their own for the first time and approach them with a boundless imagination, without a lot of preconceived notions and biases. In a lot of ways, the world is so much wider than YA or adult, which can feel more bound by genre.

Friendship and family go part and parcel with many good middle grade stories. It can be hard to sink your teeth into a story without a little heart to ground the characters. And friends and family are constants in all stages of life, even when (and maybe especially when) discussing political activism, gender identity, and such—how a character’s friends and family react in relation to that aspect of their identity. I don’t necessarily think the topics are tougher or heavier than middle grade books from past decades, just a little different. The topics authors are interested in discussing have evolved to engage with the issues facing children today.

Moser’s middle grade is a retelling of the Irish folktale, The Children of Lir.

From Pitch, to Pitch-Perfect

What’s the biggest factor that decides you to give a thumbs up on a book. Is it voice? Concept? What do you consider “fixable” and what isn’t?

Voice, voice, voice! Concept may get me to read a submission quicker, as it’s the first thing I see of any project in an agent’s pitch. But concept without a voice driving the story is just so disappointing. We want to love each submission that we choose to read! Even so, if the writing is of good quality, voice is fixable, but takes a more intense investment than editing story holes and plot elements. You have to read and reread, and delve deep into the heart of the story, and figure out a way to get the author to focus and bring it out a little more in the characters they create.

How hands on are you as an editor with books you acquire? What’s the most intensive editorial project you’ve ever worked on?

It really depends on the project. Some are written so well that I don’t need to do much development work; I can focus on line editing and transitions and such. But some stories need rewriting/restructuring. That has happened more with picture books at this point, since we are newer to acquiring middle grade! Two of the most intense projects I worked on recently, one was a nonfiction picture book about a trans Civil War soldier. The other was a middle grade retelling of “Ali Baba and the Forty Thieves.”

The picture book involved so much outside reading (including a 200-page pension file!) as well as photo research to make sure the illustrator’s work was as accurate to the time as possible. For the middle grade book, I did a lot of research into tenth-century Baghdad—the buildings there at the time, the layout of the city, the clothes people wore . . . all fantastically interesting to investigate!

Lenzi’s novel is a reimagining of “Ali Baba and the Forty Thieves” told from the perspective of Marjana.

What unique talents or perspectives do you think you bring to the table as an editor? Are you as friendly as your patronus, the capybara?

Curiosity has been a huge benefit. If I’m reading about something in a submission that I find interesting and think, huh, that’s new to me! Let’s learn a little more about that, that often leads me to discover something else tangentially related that I can discuss with the author about incorporating, or something we can tie to another element of the story. I’m generally interested in history/nonfiction. So it’s not really a chore to do a lot of outside research to make sure the story we’re telling is accurate—it’s a fringe benefit!

And hah, I like to think of myself like that! Friendly, stoic, and easygoing!

What’s on Charlie’s Wish List?

Are there any under-represented MG genres or topics you’d like to see more of? Any trends that really excite you?

Survival stories! In the purely fictional realm, that is. I’ve been looking for one ever since I got outbid on a fantastic submission. Hatchet was one of my favorite books as a kid. I would love to find a nail-biting survival story along those lines.

Other than write the next book, what’s the most effective thing an author can do, pre- or post-publication, to help boost sales of his or her books?

Find a community of authors (published or unpublished) to engage with and share work with. Either to critique and improve a manuscript ahead of an agent submitting it to publishers, or to just enjoy and talk about with friends after a book gets published. I see it as a much more fun version of networking! Authors are so supportive of each other. Becoming fans of each others’ work has benefits as far as sales, too, because if one author has success with a book, they can blurb their friend’s book, or talk to booksellers about it, or do joint signings, panels, etc., bringing the book to their own fans.

Up Next for Yellow Jacket

Crumbled is the first in a series introducing the hilarious Nobbin Swill.

What do you have forthcoming in middle grade?

Fiadhnait Moser’s The Serendipity of Flightless Things comes out in mid-August; it has utterly amazing writing. I was so blown away by some of the passages, and I still think about them all the time. It’s a retelling of the Irish folktale The Children of Lir. It gets quite spooky in the second half!

Crumbled!, the first book in Lisa Harkrader’s new series, The Misadventures of Nobbin Swill, comes out in late August. It is so hilarious, I was just laughing at my desk the first time I read it. And the follow-up, Croaked! (2020) may be even funnier! I love it, too, because it is heavily illustrated in two-color, and I think the illustrations really add to the humor.

And finally, the aforementioned The Forty Thieves: Marjana’s Tale, coming out in October. Christy Lenzi reimagines “Ali Baba and the Forty Thieves” told from the perspective of Marjana, the girl who keeps saving Ali Baba from the wrath of the thieves after he’s found their treasure. She created a story that adds so much emotional depth to the original, and I can’t wait to get it into readers’ hands!

Thanks so much for your time, Charlie!

You can learn more about Charlie and follow him at:
Twitter: https://twitter.com/chillgunas
LinkedIn: https://www.linkedin.com/in/cilgunas/
Little Bee Books Website: https://littlebeebooks.com/

Agent Spotlight: Rena Rossner

By Gail Shepherd on December 31, 2018 / Articles, Editor / Agent Spotlight

Literary agent and author Rena Rossner is a graduate of the Johns Hopkins University Writing Seminars Program, where she majored in poetry and non-fiction writing. She also holds an MA in History from McGill University in Montreal, Canada. She lives in Israel where she works as a literary and foreign rights agent at the Deborah Harris Literary Agency in Jerusalem. Rena’s debut historical fantasy novel, The Sisters of the Winter Wood, published in September, 2018.

Rena says: “You can usually find me cooking or reading, but I also do ceramics (in my non-existent spare time) and have been known to do yoga and take walks with my pug, Pablo. Did I mention I have five kids? Yeah. That too.”

Find out more about Rena and how to query her at www.renarossner.com.

Hi Rena! I know this is a crazy busy month for you—thanks so much for agreeing to chat with us. What have you been up to lately?

Most recently, I finished writing my second novel. But before that I returned from a five-week trip to the USA, a combination of being on book tour for my own first novel, The Sisters Of The Winter Wood, combined with editor meetings in New York City on behalf of my clients. I attended World Fantasy Con in Baltimore, YALLFEST in Charleston, and the Miami Book Fair – where various authors of mine were speaking and signing books.

Talk to me about middle grade novels in verse. I know you studied poetry at Johns Hopkins. What do you think a verse novel can do for middle grade readers that a prose novel can’t?

Well, novels in verse have a very special place in my heart. I was a poet first, before I decided to try my hand at fiction, and The Sisters Of The Winter Wood is written in two voices – one sister narrates in verse and one sister narrates in prose.

I also represent two middle grade novels in verse – Rachel Toalson’s The Colors of the Rain which came out in September 2018. And the upcoming ALL OF ME by Chris Baron which comes out in June 2019.

Something about novels in verse can be more dramatic than prose. Verse leaves space on the page, room for breath, room for thought. Room for the reader to fill in the blanks. Novels in verse can be more emotive than novels in prose because they take readers on an emotional journey. I absolutely love working with writers who were clearly poets first. You can tell, on the sentence level, that there is something different about their work.

I just finished reading ALL OF ME. I read through tears for the last hundred pages. This was easily the most moving MG book I’ve ever read about being a “big” kid. You’re right, the emotions just cut right through in a good verse novel, because it’s so spare.

2019 is going to be a big year for you! You represent three of my new middle grade debut pals, Cory Leonardo, Chris Baron, and Sofiya Pasternack whose first books for middle graders are publishing in 2019. Cory’s THE SIMPLE ART OF FLYING features a poetry-spouting parrot who eats the Norton Anthology of Poetry page by page. Sofiya’s 9th century historical fantasy ANYA KOZLOVA AND THE DRAGON has Vikings! And a water dragon! Can you tell us more about them? What did you love about each of these novels when their queries first hit your inbox?

2019 is going to be a great year for middle grade! Both Cory and Sofiya came to me as a result of PitchWars, actually! Cory and I connected back in 2016 as a result of the contest. I fell madly in love not only with her parrots (I am a bird lover and was the owner of a very precocious cockatiel when I was a teen) but her poetry and wit. Her book reduced me to a blubbering mess of tears, absolutely had me hooked. (Also, cherry crumble pie.)

Sofiya and I connected in 2017. Her story about a little Jewish girl who must choose between saving her home and protecting a water dragon blew me away with its originality. But it also hit my sweet spot – bringing more Jewish fantasy to the world, especially more diverse Jewish fantasy set in all different places and time periods. Her main character Anya has spunk, but she also bakes challah. I mean, what could really be better than that?

Chris was a cold query, but when I read his book, I was instantly smitten. I had never been reduced to tears in the space of a few lines of poetry before! ALL OF ME is about a boy around the time is his bar mitzvah who struggles with his weight. As someone who has struggled with her weight her whole life, and who has boys who have struggled with the same issue around the time of their bar mitzvahs – this book really hit home for me in a very deep way.

There’s been a lot of discussion among Jewish children’s authors of late on social media, particularly in light of anti-Semitic acts both here in the U.S. and in Europe. Do you think Jewish writers are underrepresented in kid lit? What kinds of books by Jewish authors or about Jewish characters would you like to see more of?

For me, it’s less that Jewish writers are underrepresented and more that certain types of Jewish stories are underrepresented. I think we need to showcase more of the multiplicity of Jewish experience in children’s literature. Jews have literally lived in almost every country in the world, and I want us to see more of their stories. Jews from Shanghai, Morocco, Cuba, Ethiopia and Yemen all have stories to tell. But their stories are not well represented in the canon of Jewish children’s literature.

I also think we don’t see enough diverse Jewish families and stories about all the different ways in which people identify as Jewish – including blended families, unaffiliated families, LGBQT Jewish families, Jews who have converted to Judaism, and more.

So much Jewish children’s literature tends to be about the Holocaust. And while that’s always going to be super important (I even sold a Holocaust memoir that came out last year called Claiming My Place by Planaria Price and Helen West), Jewish history is full of so many stories – some tragic, others full of incredible moments of resistance and heroism. I want to see more of those stories told as well.

On a personal note, I’m a huge fan of Jewish fantasy and SciFi, and I’m always looking to see more of that. We haven’t scratched the surface of what Judaism has to offer the SFF world. I can’t wait to bring more of those types of stories onto the shelves of bookstores.

What’s on your wish list for middle grade now? Why?

I’d love to see more novels in verse. I’m a huge fan of Science Fiction and Fantasy of all types. Books that make me cry: so, real, heartfelt middle grade stories that turn me into a blubbering mess of tears. I’m a sucker for beautiful writing, strong female (and male!) characters, and stories based on different mythologies and folklore. I love a good fairy tale re-telling, but bring me fairy tales from all over the world that and retell them in a way we haven’t seen before.

I love stories full of puzzles and whip-smart kids – like the books that another one of my authors, Ben Guterson, writes. His Winterhouse series (THE SECRETS OF WINTERHOUSE comes out December 31, 2019!) is a perfect example of that type of middle grade story that I love and would love to see more of! And of course, any middle grade that showcases the multiplicity of the Jewish experience.

Any genre you simply can’t stand?

I don’t know if there is any genre that I can’t stand – I read pretty widely. But I’m not the best person for a book about sports or for most straight non-fiction. Having said that, I’d love to be proven wrong! I never know what I will see in my inbox and what I will fall in love with. So I don’t really like to make any kind of absolute statements. I like to be surprised.

Are you an editorial agent? Is there any one piece of advice you give to middle grade authors? In other words, are there any common kinds of problems that you are good at helping MG authors fix?

I’m a super editorial agent (as many of my authors can attest to). I’m not afraid to cut a novel in half, if that’s what’s needed. I think that many novels in verse tend to be too long – those are often the ones I end up having to do the most work on.

Middle Grade is tough to write because it’s hard to nail the right voice. It’s important to talk to kids that age – but I mean, really talk to them. Find out what they’re thinking, what’s important to them, what they find funny. I’m lucky to have middle graders who live with me, and my kids are an invaluable resource to help me know what will or won’t work for kids their age.

What’s missing in the middle-grade marketplace now? The big sinkhole in the room that we’re not seeing?

Well, once upon a time I would have said: more books for middle grade boys, and especially for boys who are struggling with their weight. More books about body positivity. But I am so happy that Chris Baron’s book ALL OF ME is now going to be out in the world, because I think it fills a big hole in the MG space.

We need to make sure that every kid can see himself or herself reflected in fiction, to do so much more work to bring diverse stories and diverse voices to MG shelves. I’m super proud of a book that came out in October 2018, Charlie Hernandez and the League of Shadows by Ryan Calejo. We need more books like that.

How does what you do as an agent influence your art as a fiction writer, or vice versa?

Sometimes people think it gives me an edge in the industry. But the truth is, I went through just as much rejection (if not more…) as anyone else. When The Sisters of the Winter Wood sold, it was with my third agent, the third book I had been out on submission with.

Having said that, I definitely saw a hole in the market and decided to fill it. I wanted to write a fantasy novel about two Orthodox Jewish teen heroines – the kind of book that I wish had been around for me when I was a teen. But I don’t think you need to be an agent to know what’s missing from bookstore shelves today. You just need to read a lot and pay attention. I do think that my authors benefit from my being able to have a lot of empathy. I know what they are going through, often intimately.

Anything you’d like to elaborate on that I haven’t asked you? How’s life treating you?

Life is incredibly busy, but great! I can’t wait to see what 2019 will bring, but I certainly hope it bring more great middle grade authors my way!

Huge thanks, Rena! It was great to speak with you.

Posts Tagged fantasy

A Novel Approach to Readers’ Advisory

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Editor Spotlight: Charlie Ilgunas’s Buzz on Middle Grade!

Little Bee Becomes an Indie