Today, I’d like to extend a warm, Mixed-Up welcome to Caroline Palmer, author and illustrator of Camp Prodigy, a debut graphic novel about two nonbinary kids who navigate friendship and identity at summer orchestra camp. Touted by Kirkus as “an immersive and affirming story that hits the right notes,” the novel is perfect for fans of Victoria Jamieson and Raina Telgemeier. It’s out tomorrow, June 11, from Atheneum Books for Young Readers/S&S.
But first…
Camp Prodigy: a Summary
After attending an incredible concert, Tate Seong is inspired to become a professional violist. There’s just one problem: they’re the worst musician at their school.
Tate doesn’t even have enough confidence to assert themself with their friends or come out as nonbinary to their family, let alone attempt a solo anytime soon. Things start to look up when Tate attends a summer orchestra camp—Camp Prodigy—and runs into Eli, the remarkable violist who inspired Tate to play in the first place.
But Eli has been hiding their skills ever since their time in the spotlight gave them a nervous breakdown. Together, can they figure out how to turn Tate into a star and have Eli overcome their performance anxieties? Or will the pressure take them both down?
Interview with Caroline Palmer
Melissa: Welcome to the Mixed-Up Files, Caroline! It’s great to have you here.
Caroline: I’m very glad to be here!
Melissa: First and foremost, congrats on Camp Prodigy! Can you share the inspiration behind your MG debut?
Caroline: I pretty much took lots of ideas from my own life and threw them together. The main characters being nonbinary violists, orchestra camp, the awkwardness of making connections as a kid… All of those bits, at least, were drawn from personal experience!
Similarities and Differences
Melissa: Camp Prodigy, which focuses on two nonbinary tween violists, Tate and Eli, is loosely autobiographical. (In addition to being nonbinary, you studied the viola.) What are the main similarities between you and the main characters? The main differences?
Caroline: I’d say that Tate and I are similar in how we struggle to open up to others–but for different reasons. For Tate, it’s because they don’t have a lot of confidence. In contract, I’m pretty at ease with myself, but that doesn’t come naturally to me. Eli struggles when they have to play music solo, but by the end of the book they find enjoyment in playing as a part of the orchestra. This is something I relate to. I guess the main difference between us is that I’m not competitive, haha!
Hard Work Pays Off
Melissa: At the beginning of the novel, Tate and Eli seem to have little in common. Eli is a high-achieving viola prodigy; Tate loves to play but isn’t particularly talented. What were you trying to say about achievement—and perseverance—in general?
Caroline: I really liked the idea of this dynamic. A prodigy and a beginner who are worlds away in skill but very similar in motivation. And while Tate’s journey from worst violist in camp to best violist (according to the seating arrangements) is a bit unrealistic, I don’t doubt it can happen in real life. When you’re starting out, even little adjustments can make a big difference in how you play music. Mindful practice and guidance from someone who can see opportunities for you to improve, and then communicate them to you on your level, goes a long way.
This isn’t exclusive to playing music, either! Anyone learning a new skill can go far with it. Hard work really does matter more than natural talent. I’m a lucky person–my personal talents and interests are in alignment–but there are people who have more technical skill than I do, in areas they had to work for.
The Stress of Secret Keeping
Melissa: The theme of secret keeping looms large in this story. Tate is afraid to come out to their family as nonbinary, while Eli hides the trauma they suffered as a result of their quest to be an accomplished violist. What is it about secrets that provokes so much anxiety, particularly for tweens? And what advice would you give to young readers who are struggling with a secret themselves—coming out or otherwise?
Caroline: I think there’s some correlation with hitting puberty, in a way. This could be influenced by my experience with gender, but suddenly, you have to deal with uncomfortable changes to your body. I could always speak freely with my parents, and I knew what was coming, but I still felt the urge to lie by omission. By saying nothing, it’s as though your problems and worries won’t be real. Unfortunately, they still are.
My advice? It’s always a relief to share a secret with someone you trust. It may be scary, but the people who care about you should always be able to help, even if they can’t do anything but listen. It’s up to you whether or not you share a secret, but it’s always easier to carry something with help, rather than alone.
Nonbinary rep
Melissa: As above, your novel features two main characters who are nonbinary. How is this novel specific to the nonbinary experience? What is universal?
Caroline: There are several scenes that center on the feeling of being misgendered. In my experience, for those first few months and years after you’ve realized that you’re not cisgender, you tend to be the most sensitive about incorrect pronouns or gendered terms. It’s like a fresh wound that needs to heal. Tate, a kid who’s recently begun to explore their nonbinary identity, is deeply uncomfortable not just with being misgendered, but also with hearing other people misgendered. And sometimes, cis people who are well intentioned still don’t give the concept a second thought.
This experience feels pretty specific to me, but I think everyone can understand the feeling of having something important to you completely dismissed, even by kind people who just don’t understand. The feeling of being queer is not so alien if people give it some thought!
Challenges and Rewards of MG
Melissa: Since this is your first foray into middle-grade fiction, what was the biggest challenge you faced when writing and illustrating this novel? The greatest reward?
Caroline: It was tricky trying to create satisfying stakes. When you write fantasy or sci-fi, for instance, it’s easy to create tension. Maybe the world will be destroyed if the bad guys aren’t stopped! But Camp Prodigy was an entirely different genre, so the stakes had to be personal. It was also pretty tough to draw realistic backgrounds consistently!
For the reward, I’d say getting to hold the book in my hands. Getting to read it from front to back as a professional, physical story. It was so satisfying to see everything come together just the way I knew it would!
Caroline: The Versatile Creator
Melissa: In addition to writing middle grade fiction, you create comics, storyboards (including those inspired by The Simpsons, Star Wars, and Hamilton), and have done a TV-show pilot based on the BETA version of Regular Haunts, where you produced all the art, editing, sound design, and voice acting. What is the secret to being such a versatile creator?
Caroline: It all stems from the same source for me. I want to tell stories with words and art. The many facets of animation and comics aren’t too different in that regard; I’ve always seen them as points on the same scale of visual mediums. You have prose novels–all words, animation–all art, and comics in the middle of both.
For me, there’s very little that compares to the feeling of telling stories with words and art. I’d try out any medium to bring what’s in my mind to reality in the most fulfilling way! So I guess the secret would be…if you want to try something new, do it! There’s nothing more exciting than creating art without holding yourself back.
Creative Process
Melissa: What does your creative process look like? Do you have any particular rituals or routines?
Caroline: I try to stick to a vague schedule in terms of work projects, but I’m always thinking up stories in my mind. It’s so embedded in my life that there’s no removing it. Because of that, it’s hard to think of my actions as routines, but I suppose I draw almost every day. It’s not even something I try to do, it’s something I’m compelled to do. If I don’t draw for too long, I’ll get an itch under my skin.
Some people do warm-up drawings before starting important art pieces, but I usually don’t do that either, hah! If you draw often, it gets easier to jump right in. And if you draw comics, you’ll be compelled to practice depicting complicated backgrounds, props, and poses that you might normally avoid.
Melissa: What are you working on now, Caroline? Can you give Mixed-Up Files readers a sneak peek?
Caroline: I have another pitch in the works, but I can’t share much about it now. Maybe soon! Aside from that, I’m still updating my long-running webcomic “Talent de Lune” on tumblr and webtoon. If you like action, consider checking it out!
Lightning Round!
Melissa: And finally, no MUF interview is complete without a lightning round, so…
Preferred writing snack? You can never go wrong with apples! I’ve also been snacking on these things called Yoggies from Costco.
Coffee or tea? Neither! But here’s my favorite soda–root beer!
Favorite piece for the viola? I’ve been chipping away at Suite Hébraïque by Ernest Bloch for ages. It’s very eerie and beautiful.
Zombie apocalypse: Yea or nay? I would be bitten, sadly. I would definitely be bitten.
Superpower? Bringing my drawings to life, of course!
Favorite place on earth? If I’m having a good time with friends or family, everywhere is fun! But I did get to visit Korea last year, and the food is delicious, no matter where you go.
If you were stranded on a desert island with only three things, what would they be? A fully stocked and manned ship to sail away on. Gotcha! (Or, if perhaps that’s unavailable…some sort of satellite radio, a fire-starting kit, and a pot?)
Melissa: Thank you for chatting with us, Caroline. It’s been a pleasure, and I’m sure MUF readers will agree!
Caroline: Your questions were great! I had a lot of fun, thanks for inviting me!
About Caroline Palmer
Caroline Palmer (they/them) is a nonbinary comic creator who tells action-packed stories with heart. Visit them at CarolinePalmerComics.Weebly.com.
Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeenmagazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on Twitter, Facebook, and Instagram.
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