Editor / Agent Spotlight

Editor Spotlight With Hannah Kimber

I’m thrilled to welcome Andrews McMeel Kids editor Hannah Kimber to the Mixed-Up Files. She is the proud cat mom of Gordo, Kiko, and Pickle. She is also my editor for HART & SOULS. I am so grateful she could tear herself away from work and her fur babies long enough to share her wisdom and publishing insights. 

Let’s do this!  (Meow) 

Lisa: Hi, Hannah! Please tell us a bit about Andrews McMeel Kids.

Hannah: Andrews McMeel is known in the publishing world for its high quality webcomic collections, poetry, and of course a handful of middle grade bestsellers like Big Nate, Phoebe and Her Unicorn, and Trapped in a Video Game. In the last few years we’ve added some amazing titles to our kids’ roster, including Meems and Feefs, Pocket Peaches, Enola Holmes Graphic Novel Series and Cat Ninja. Our kids’ publishing program acts as an extension of our history in newspaper comic syndication: high quality graphic novels that inspire, delight, and make reading fun! In addition to graphic novels, we have illustrated middle grade prose (Matt Sprouts and the Curse of the Ten Broken Toes, Hart & Souls, and the Show Strides series), non-fiction, and younger reader graphic novel formats (Bean the Stretchy Dragon, Birtle and the Purple Turtles, and Kitten Ninja). At Andrews McMeel we hope to connect to the—not necessarily reluctant or hesitant, but—”distracted” reader. 

Lisa: How did you get involved with children’s publishing?

Hannah: I started as an assistant to the Andrews McMeel CEO, Kirsty Melville. This was a really unique position because I got to see the business from the top down. Kirsty is a very hands-on publisher and the team is intimate, so I was able to participate in a variety of meetings and tasks related to publishing on both the editorial and the sales and marketing side. I initially thought I wanted to work in adult publishing, but then I met Erinn Pascal, our fantastic Senior Editor, and working with her convinced me that kidlit was the place to be—it’s meaningful, rewarding, and SO much fun! I love that working in children’s publishing reminds me not to take myself so seriously.

Lisa: What middle grade books inspired you as a child?   

Hannah: I’m peak Millennial, so I have to, of course, say Harry Potter. I remember staying up late, the night before I started a new school. I couldn’t sleep but was immediately comforted by escaping into the world of Harry Potter! I was a big fan of fantasy, so I also loved reading The Chronicles of Narnia, His Dark Materials, and even Lord of the Rings when I was a bit too young to truly take it in, but was excited about the movies coming out (I reread it later in college).

 I had a lot of other one-off books that also inspired me. I loved Ella Enchanted by Gail Carson Levine, Holes by Louis Sachar, and Where the Red Fern Grows by Wilson Rawls. I grew up in Kansas so I also had a particular affinity for the Laura Ingalls Wilder series! I loved anything that was an escape.

Lisa: What middle grade books are you working on now that you’re excited about?

Hannah: I’m doing a lot of graphic novels, which is really fun because my educational background is in art/art history. It’s so fun to not only be stretching my writing muscles all the time, but extending that to visual storytelling and the way that the text and the images work together. I just finished working on a great graphic novel called Life Really Socks about a pair of socks where one “twin” gets lost in a washing machine portal. It’s clever and silly—my favorite!

Lisa: What tips do you have for writers regarding writing and submitting?

Hannah: Don’t give up! But also, don’t linger. Let me explain: Try to remember that publishing and in general the book market is very cyclical. What may be rejected or not sought after for a period of time can also see a resurgence in many ways later down the road. That isn’t to say that we should be repeating things we’ve done in the past, but rather adding new and modern spins to them. If you have a project that continues to get rejected—don’t necessarily give up on it. It’s okay to keep it on the back burner for a while and revisit it later when it may be more viable on the market. And similarly, don’t linger on a project so long that you forget that you have other projects inside of you, too! Keep writing, keep creating, keep being curious and seeing what is out there.

Lisa: What advice would you give to a debut author? Both in terms of writing and working with an editor?

Hannah: In writing and in terms of working with an editor I would say be flexible and open to collaboration! Editors are kind of interesting people because we have to have both the creative side (type B) and the business side (type A). As a fellow creative, I know how vulnerable it can be to put your work out there, and I try to always respect that in the work I do with authors. The business side of me also wants the project to be the best that it can be based on the knowledge I’ve gathered working as an editor, and the knowledge my team brings to the table! I think it is the most fun for both author and editor when the creative process is a respectful collaboration. And I think that creating kidlit should be fun, honestly!

Lisa: What are some under-represented MG topics you’d like to see more of?

Hannah: I think we are lucky to be in a time where people are becoming more cognizant that there has been a lack of topics, themes, or voices on the market. At Andrews McMeel we are constantly striving to make sure that our books do not reflect one world view or theme, and we are also very careful to make sure that a variety of people with a variety of backgrounds work on each of our books to ensure that they are authentic, sensitive, and relatable. That being said, there are still plenty of topics out there that are not being covered by authors! For example, mythology is a very trendy theme but we still see a lot of Greek or Western-centric mythology. I also am loving the recent surge in middle-grade novels-in-verse. It seems like this format can tackle a lot of themes or topics that may be untouched because they are sensitive (i.e. grief, death, bullying, etc.) I think that whatever theme authors are writing about, as long as it is authentic and comes from a sincere place, then there is a place for it out there!

Lisa: What makes your eyes light up and your heart sing when scanning the submissions folder?

Hannah: A proposal that helps me answer the hard questions! Don’t be afraid to position your proposal and envision it on the market. Don’t be afraid to have comp titles or potential BISAC codes! I think some people can be worried about putting labels on their work too soon and having that be a turn off, but publishers are going to change BISACs/positioning ideas/etc. as they see best for the book. As an editor, what I love is when I can see that the author has thought through some of these questions and really knows their work inside and out. Obviously the real work begins when the deal is made, and many of those things can change. But what doesn’t change is my impression that the author is thinking through all of the decisions related to their book!

About Hannah: 

Hannah Kimber has been with Andrews McMeel since 2019. In 2016, Hannah graduated with her MA in English Literature from Saint Louis University in Madrid, Spain. After three years of living and working in Madrid, Hannah moved back to her hometown of Kansas City and started working as a store manager at Barnes & Noble, a dream-come-true for anyone who understands a serious book-buying addiction. While pursuing a role in publishing, Hannah encountered Andrews McMeel—an independent publishing house right in her own backyard. After joining AMU as an assistant to President & Publisher Kirsty Melville, Hannah was able to get a top-down view of the publishing business.

As an editor, she mainly acquires children’s books in the upper middle grade age-range, with the occasional adult humor or comics collection. Hannah also works on licensed projects in both the children’s and adult categories. Middle grade and YA graphic novels and illustrated fiction are always welcome, but she also enjoys projects that play with format and design in interesting ways. Fantasy, adventure, and historical and contemporary fiction are her favorite themes. She appreciates stories told from a fresh perspective.

To learn more, please check out her Manuscript Wishlist .

Agent Spotlight: Meet Literary Agent Sally Kim

We couldn’t be more thrilled to welcome Sally Kim to the agent spotlight here at From The Mixed-Up Files of Middle-Grade Authors. Sally is a literary agent with the Andrea Brown Literary Agency (ABLA). She represents fiction and non-fiction picture books, chapter books, middle grade, and graphic novels and is especially eager to see authentic explorations of underrepresented cultures, relationships, and identities.

Sally took time out of her busy agenting life to share more about her pre-kidlit career, what she loves about being an agent, and some cool books from ABLA to check out.

From The Mixed-Up Files of Middle-Grade Authors: How did you become an agent? 

Sally Kim, literary agent with Andrea Brown Literary Agency

Sally Kim: After 15+ wonderful years in children’s book publishing, I was looking for my next big opportunity and specifically, I wanted to return to working closely with individual authors and illustrators. At the advice of trusted colleagues in the industry, I sought out informational calls with a handful of well-respected literary agents and asked them what it took to be an all-around exceptional agent. What qualities were essential from Day 1 and what skills could be learned on the job? My goal was to objectively assess my potential before taking the leap. To my delight, all the conversations went very well and strengthened my resolve to move forward. In a few short months, I was thrilled to find a place with Andrea Brown Literary Agency. I haven’t looked back since!

 

MUF: Your pre-agenting background was in kidlit marketing and publicity. How do those skills translate in your current role? 

SK: My years working in marketing and publicity gave me broad exposure to the children’s book market and an understanding of how publishers work to connect books to readers, to adapt to the ever-shifting landscape of key retailers and sales channels, and to day-in and day-out launch new books and make each of them stand out from the crowd. As a marketer, I spent many years partnering with colleagues in editorial and sales to participate in heated auctions, build bestselling brands and series, and position books for long-term success.

I believe as a new agent, I am uniquely positioned to help my clients understand how their work, whether it be a lyrical picture book or a middle grade novel-in-verse, fits into the market and where it can find its target readership. And in my time in publishing, I particularly enjoyed collaborating closely with authors and illustrators on their launch campaigns–traveling with them to conferences, bookstore appearances, and just generally evangelizing about their talent. There’s a lot of great crossover to life as an agent.

MUF:  What does a typical workday look like for you?  

SK: There is no typical day! But I can definitely describe a typical work week. The first thing to note is that while I build my career as a literary agent, I am still working as an independent consultant for children’s book publishers around the world. I’m often on early morning Zoom calls with folks on France and late afternoon calls with folks in Australia.

Thankfully, my consulting work is very flexible and I still have plenty of time and energy for agenting. In a typical week, this includes giving clients feedback on their manuscripts, strategizing on the next project to go out with, researching potential editors for an upcoming pitch, having calls with individual editors to get to know their tastes and current wishlists, and of course reading queries! Always reading queries!

Also, I should say that the agents at Andrea Brown are incredibly communicative and collaborative. All day long, we’re chatting on Slack and over email, sharing feedback and suggestions with one another on any number of topics. I’m soaking it all in and eagerly learning from my peers and mentors.

MUF: What’s your least favorite part of your job as an agent?

SK: I think my clients will agree with me, but every time an editor passes on a project, it’s hard not to feel momentarily discouraged. But I like to tell myself (and them!) that it’s all part of the process. Upward and onward we go.

MUF: What’s your favorite? 

SK: That elusive moment when I’m deep in the trenches of queries, reading my twentieth manuscript of the night and suddenly I’m blown away by a project from start to finish. The good ones really jump out and grab you in the best, most exciting way. The thrill of discovery is real!

MUF: Book bans are on our minds. What should writers, readers, parents, librarians, and other do to support access to books for kids? 

SK: Great question. And as I type out my answer, I’m really talking to myself most of all. We should all try to keep up with the latest on book ban news. Learn which of your favorite authors are being affected and make every effort to support them through it. Speak up and speak out about the harmful effects of book bans to your friends, family, and your larger community. Use every opportunity to amplify messages that support the freedom to read.

And have you heard of Authors Against Book Bans? If you are a book creator of any kind, I encourage you to join. And please listen to Jenn Laughran’s Literaticast podcast interview with founding members Maggie Tokuda-Hall and David Levithan. The episode goes live this month (August 2024) and I will be first in line to listen and take notes.

MUF: Any kidlit books coming out soon (or just out!) from your clients that we should keep an eye out for?  

SK: Yes! While I’m about to go out on submission with my first MG project (fingers crossed!), I going to take the opportunity to recommend several exceptionally good books written by other agency clients. Please check them out!

Vega's Piece of the Sky by Jennifer Torres

 

MUF: Where can people find you online? (Social media, work website, other) 

SK: Let’s connect! Please query me at https://querymanager.com/query/sallyabla. Follow me online on Instagram @sallymkim and Bluesky @sallymkim.bsky.social. And to learn more about Andrea Brown Literary agency, go to our website:  https://www.andreabrownlit.com.

 

Meet Literary Agent Kelly Dyksterhouse

Headshot, agent Kelly Dyksterhouse

What a pleasure it has been to get to know Kelly Dyksterhouse, a literary agent with the Tobias
Literary Agency. Kelly has her MFA in Writing for Children and Young Adults and specializes in
building the careers of authors and illustrators who work on a broad range of projects from
picture books to young adult novels, graphic novels, and fascinating nonfiction for the youth
market. I know that all of our Mixed-Up Filers are eager to learn more about Kelly.

 

SK: Kelly, tell us a little bit about your path to becoming an agent.

KD: While I was pursuing my MFA in Writing for Children and Young Adults, I applied for a
position as a reader at The Bent Agency. At the time, I thought it would be a good
opportunity to learn more about how the business side of publishing worked. In that role,
I read slush and full manuscripts and wrote reader reports on the fulls. That led to an
assistant position for Susan Hawk at Upstart Crow, who was, and remains, a most
fabulous mentor. After working for several years as an assistant, I joined Jacqui Lipton
at her new agency, Raven Quill Literary Agency and began building my own list. In 2022, RQLA
merged with The Tobias Agency.

While every path to becoming an agent is a little unique, this business remains one that
is apprenticeship based, and frankly the relationship-driven part of the industry is a
major part of what I enjoy about it.

SK: What can you tell us about the Tobias Agency?

KD: I love my team at TLA! We work very cohesively and support one another well, and a
win for one of us/our clients is celebrated as a win for all.

The Tobias Literary Agency is a full-service literary representation firm established in
2016. We specialize in shepherding writers and artists from dream to reality. Our literary
agents are nimble and fierce with a collaborative spirit. We take a 360-degree view of
our clients’ intellectual property. Each project receives a targeted plan for execution of
sub rights (film/TV, foreign translations, first serial, graphic novel adaptations, and more).
Authors and artists we represent include debut authors, New York Times and USA
Today bestsellers, multiple Bram Stoker Award winners, distinguished scientists,
Emmy-nominated journalists, Coretta Scott King honored illustrators, LA Times Book
Award winners, and authors selected by Reese Witherspoon Book Club. Our literary
agents represent the gamut of genres, including the finest in horror, children’s,
nonfiction and illustration. Our literary agents and literary managers take pride in investing in
clients’ long-lasting careers.

SK: Here at MUF, we are all about middle grade. What do you love most about middle-grade novels?

KD: I love that they appeal to readers who are on the cusp of independence. Kids who are actively figuring out who they are and where they fit in their world. I think what I love best about middle grade novels is that they really respect this time of life and take it seriously, reflecting all of the beauty and struggle and confusion and joy that are wrapped up in adolescence. Books for younger readers tend to be fairly straight forward, but the middle grade novel wrestles with questions, allowing the reader to ask
questions of themselves. It’s a time in life where readers are forming opinions and can choose their own books to read. We tend to idealize childhood and forget how hard and heavy and very, very immediate and important everything feels at this stage of life. The middle grade novel carries a huge responsibility in this respect—it can open new worlds or offer solace from the real one readers inhabit, creating space to process their own feelings through those of a character, space to dream and ask questions and not be
judged for doing so.

SK: Which middle-grade book(s) influenced you most as a child?

KD: Ah, so many! But the books I return to every couple of years to reread I found in 5th
grade: Robin McKinley’s The Hero and the Crown and Michelle Magorian’s Goodnight,
Mr. Tom. As a younger reader, I plowed through C.S. Lewis’s The Chronicles of Narnia,
Madeleine L’Engle’s A Wrinkle in Time books, all of Walter Farley’s Black Stallion
books, and of course Marguerite Henry’s Misty of Chincoteague.

SK: What are some of your favorite current middle-grade novels?

KD: Aside from those of my own clients, of course, I’ve really enjoyed Alyssa Wishingrad’s
The Verdigris Pawn and Between Monsters and Marvels. I love how she uses fantasy to
probe readers to ask questions about their own world, which I think is the genre’s
superpower.

I also really loved Dan Gemeinhart’s The Midnight Children—It was brilliantly structured,
written with so much respect for the reader, and it was a surprise to read. (I love books
that surprise.) I never would have suspected that a book that wrestled such heavy
subject matter would have me laughing out loud on an airplane at the climax. (I also
love books that make me laugh!)

Finally, I recently read Erin Entrada Kelly’s We Dream of Space and was really blown
away. Perhaps because it recalled so much of my own childhood—I was the same age
as the protagonist when the Challenger exploded and vividly remember watching it live
in our school auditorium, so the book hit home in that regard. But the character work in
that book is spectacular, and it’s a wonderful study for anyone who is seeking to deepen
their craft in terms of writing character.

SK: You seem to enjoy your work, but we know it has its tough parts. What would you say are the best and worst parts of being an agent?

KD: There are so many best parts! Every day, depending on what I am doing that day, my
answer will be different. I love the excitement of finding a new project that I can’t wait to
gush about. I love that no day is the same. I can start a day working on a picture book,
break to meet with clients and editors, and then end the day working on a novel, or a
nonfiction proposal. I love, love, love getting to call a client and tell them we have an
offer! And it is just amazing to hold a book in my hands that I helped shepherd into
existence.

So in a nutshell the best part of the job is working with creative people to bring fantastic
stories into the hands of children.

The worst part is easy—waiting and rejection. It’s part of the business, but that doesn’t
mean that it ever gets easy.

SK: What do you look for in a query?

KD: A strong query tells me what the book is about (who the character is, what they want,
and what the stakes are if they can’t get it, so the major dramatic question), with strong
comps to tell me where it will sit in the market, and does so clearly and succinctly in an
engaging tone or voice.

A query is a first impression, which I liken to an initial handshake in a job interview. It
needs to be professional, confident and show the writer’s competence and
understanding of their work and craft. The primary job of the query is to make me want
to read the book!

SK: What are the top reasons you pass on a submission?

KD: The number one reason I pass is that the writing is not ready. The concept and story
may be great, but it is clear that the writer sent it off before revising deeply or taking the
time to really refine their writing craft.

Another common reason I pass on projects is that the concept feels overly familiar—not
a fresh enough take to be able to stand out in the market.

SK: What is your best guess on where the middle-grade market is headed?

KD: I am seeing a lot of calls for books that could fill the audience “gaps”—younger middle
grade and older middle grade. Shorter, illustrated books that appeal to the 8-9 year old
reader, and then books whose subject matter appeals to the older middle grade reader
who is not quite ready for YA. (Some would call those books young YA, but I’ve been
seeing them announced as middle grade—books with characters as old as 15, yet
whose story might feel younger.) And there is still a great need for books that reflect a
diversity of experience and representation.

SK: Before you go, let’s have some fun with a lightning round. Please name your favorites!

Dessert: bread pudding with vanilla ice cream

Type of weather: a crisp, clear spring or fall day

Genre of music: depends on what I’m doing. Editing, I listen to classical instrumentals,
when writing I listen to movie soundtracks (instrumental), and when running I listen to
classic 80’s rock.

Season: Spring or Fall.

Game: I am enjoying a board game called Azul right now—it’s a fun strategy game with
tiles, and it’s really pretty. I also enjoy playing Hearts and Spades and Rummikub.

SK: I know that our MUF readers are going to want to learn more about you. Where can we do that?

KD:
● @kellydhouse is my SM handle for Instagram, Threads and Twitter.
● Kellydhouse@bsky.social.com
● Website: www.KellyDyksterhouse.com
● MSWL: Kelly Dyksterhouse

Thanks so much for sharing your time and wisdom with us, Kelly. We wish you great success in
your career as an agent. I’m sure a lot of new queries are about to head your way!