Author Interviews

Interview–and Giveaway–with Shelley Tougas

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Shelley Tougas writes fiction and nonfiction for tweens and teens. Shelley is a former journalist who also worked in public relations. Her award-winning book, Little Rock Girl 1957: How a Photograph Changed the Fight for Integration, landed on the top ten lists of Booklist and School Library Journal. Shelley lives near the Twin Cities.

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Today, Shelley has joined us to talk about her new book, Finders Keepers (Roaring Brook Press 2015).

Christa spends every summer at the most awesome place in the whole world: her family’s cabin on Whitefish Lake in Wisconsin. Only her dad recently lost his job and her parents have decided to sell the cabin. But not if Christa can help it. Everyone knows Al Capone’s loot is hidden somewhere near Whitefish Lake, and her friend Alex’s cranky grandpa might have the key to finding it. Grandpa says the loot is gone, or worse -cursed – but Christa knows better. If she finds it, she can keep it and save her family and their beloved cabin.

Booklist gave it a starred review “A charming story of family history and personal connections (both lost and found) that is reminiscent of Blue Balliett and the Penderwicks‘ adventures.”

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Finders Keepers is your second novel, but you have ten published nonfiction books as well. How does your nonfiction inform your fiction writing?

I was a journalist for seven years, so my background is nonfiction. Working at a daily newspaper is a writer’s boot camp. Deadlines range from a week to a frantic thirty minutes. When you have limited space, you learn to treat every word like gold. Clarity and economy are essential. There’s only room for the most telling details and the best quotes. I learned about everything from police investigations to murder trials to elections to sewer systems. I met fascinating people, including a man who walked around the world, a barbed-wire collector, young men who canoed from Canada to the Amazon, a family who raised wolves, an anti-government militant who barricaded herself from the FBI for three months, and so much more.

I did a little Internet research on gangsters in Wisconsin’s Northwoods and was surprised at how many Chicago criminals spent time there. How much of the Al Capone content is fact and how much is legend? How much of it did you make up?

I invented the characters and their adventure, but everything about Capone is based on facts and legends. Capone didn’t use banks or accountants, so even historians and journalists believe he hid money or gave it to colleagues for safe keeping. His illness caused him to be delusional, so he wasn’t making rational decisions. In 1986, journalist and entertainer Geraldo Rivera had a live television special during which his crew used dynamite to blast open a vault of Capone’s. He thought he’d find Capone’s loot and maybe even human remains. IRS agents were there to collect Capone’s estimated $800,000 in unpaid taxes. Thirty million people watched him enter the vault where he discovered … nothing.

The setting in Finders Keepers felt very real to me, even though I’ve never been there. How did you do that?

Christa’s beloved cabin on Whitefish Lake is actually my parents’ real cabin on Whitefish Lake. The difference is my parents’ cabin is part of a group of cabins near a lakeside restaurant. Christa’s cabin is a standalone place near the Clarks’ home, which is also invented. The town of Hayward does have a popular candy store with a fudge lady, an ice cream store, and the National Fresh Water Fishing Hall of Fame in the shape of a huge muskie. I think it’s safe to say there aren’t underground tunnels in town!

800px-HaywardMuskie-061-050507Photo credit: Bobak Ha’Eri

If there was one single thing that you wanted readers to get from Finders Keepers, what would it be?

Put down your electronics, unleash your imagination, and play outside. That’s a message for adults, too.

What other books do you recommend to readers who enjoyed Finders Keepers?

It’s a bit self-serving to suggest my debut novel The Graham Cracker Plot [recently released in paperback], but it’s also a funny adventure story. Two novels I always recommend: Savvy by Ingrid Law and Three Times Lucky by Sheila Turnage. I recently read Lisa Lewis Tyre’s novel Last in a Long Line of Rebels, which is also about kids seeking a hidden treasure, and I loved it.

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What’s your favorite thing about middle-grade fiction (as a reader or a writer)?

Kids are hilarious, often without meaning to be funny. I’ve had more laugh-out-loud moments reading kid lit than adult work.

What advice do you have for someone who wants to write middle-grade fiction?

Spend a lot of time with kids. Listen to the way they talk and observe how they handle conflict and problems. Read your work out loud to kids and pay attention to their body language. If they’re staring out the window, you know you’ve got work to do. My daughter is my first editor. My early draft of The Graham Cracker Plot  opened with backstory. When I read it to my daughter, she said, “Mom, it’s really good. But when is the story going to start?” And she was right. In middle-grade novels, you need to invite the readers immediately. Most are impatient and won’t wade through a sluggish beginning.

Shelley has kindly offered to give away a copy of Finders Keepers. Leave a comment below by midnight on Monday, November 30 and the winner will be announced on Tuesday, December 1.

Jacqueline Houtman is the author of the middle-grade novel The Reinvention of Edison Thomas (Front Street/Boyds Mills Press 2010) and coauthor, with Walter Naegle and Michael G. Long, of the biography for young (and not-so-young) readers Bayard Rustin: The Invisible Activist (Quaker Press 2014).

Meet the Illustrator: Lauren A. Mills

laurenmillsToday we’re lucky to have a behind-the-scenes peek at the work of award-winning author/ illustrator, Lauren A. Mills. Many people know Lauren as a picture book author and illustrator, but Little, Brown just released her first illustrated middle grade novel, Minna’s Patchwork Coat.

Interestingly enough, the idea came from one of her picture books, The Rag Coat. For those unfamiliar with this heart-tugging story, Minna can’t go to school because she has no coat. The town mothers pitch in to quilt her a coat made of rags. When classmates bully and tease her, Minna stands up to them and shows them how they are all connected through her quilted coat.minnacover@72small.

Lauren has agreed to share her process of writing and illustrating the book, which was inspired by the song “Coat of Many Colors,” sung by Emmylou Harris and written by Dolly Parton.

To begin the illustrations, Lauren made preliminary drawings in her sketchbook. “I sketched very small at first (thumbnails sketches which are about 1” by 2”), so I could think and draw ideas quickly. The best designs turn out this way. I then enlarged them on a printer and sent those into Little, Brown for their comments and approval. The two editors, Deirdre Jones and Andrea Spooner, along with the art directors gave me much feedback.”

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Not all sketches an illustrator turns in are accepted for the final book. Lauren shared this sketch of Minna with an angry man, which the editors rejected because “they thought the scene looked too scary for children.”

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Lauren hiking the Blue Ridge

Once the layouts were approved, Lauren gathered reference materials. She says, “I took over 100 photos and did many thumbnails sketches, but only 50 final drawings ended up in the book. The photographs were taken in Massachusetts, where I live, and in Virginia, where I teach in the summer, and at the West Virginia Coal Mine Exhibition. The school I used as a model for the Rabbit Ridge School is the Nash Hill School, built in 1786 in Williamsburg, Massachusetts.” She even hiked the Blue Ridge Mountains to get pictures of the setting.

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Old Schoolhouse

“My process is to sketch out the thumbnails, then gather the reference to look at, and then I draw from my original thumbnail sketches and the photos, a combination of both.” Here’s Lauren hard at work at her drawing board wearing a scarf she felted. To get herself in the right mood to sketch,  Lauren “listened to lots of bluegrass music and wore clothing similar to what would have been worn during this time period.”

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“At times I didn’t have the reference for a certain scene and went only from my sketch. Other reference, besides photographs, included actual items, such as the antique crazy quilt that hangs in our home, dolls, and the vintage-looking clothes.”

Crazy Quilt

Crazy Quilt

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Vintage-look clothes

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“The dolls were my daughter’s dolls. She was in college, and it was difficult to wrangle Belini Bear away from her, but he behaved very well during the model session.”

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Lauren even drew layouts and elevations of the cabin interior and exterior.

LogCabinInteriorDesAnd as a sculptor and dollmaker, she created a lifelike doll of Minna.

Minna doll Lauren made

Minna doll Lauren made

She was lucky enough to find children who looked like the characters she’d envisioned for the book. “Alexandra, the model for Minna, and her actual father posed for Minna and her father. He happened to be a musician and provided a genuine handmade Appalachian banjo for me. Lester, a key character and musician in the story, is also from a musical background.”

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Other models included adult friends, school children and even live animals – goats, lambs, chickens, sheep. It’s not surprising that goats made their way into the book: Lauren used to raise goats. Once she even helped to deliver one!

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Minna, Lester, and goats

Here’s a quick overview of Lauren taking a sketch from preliminary layout to finished artwork. The illustrations were done in graphite pencil on Arches paper.

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Line to Transfer

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RabbitAlthough the interior illustrations are in black and white, Lauren painted watercolors of a rabbit and a mockingbird for the book’s jacket flap and back cover. Both of these animals have a special significance in the story, with Rabbit becoming Minna’s “totem.”Mockingbird

To create tMinnaWoodshe cover, Lauren began with an underdrawing. She printed it out, glued it to a board, and covered it with matte medium. Then she painted on top of it with oils, allowing some of the pencil to show through on the trees.

MinnaPortraitIsn’t the final artwork (below) gorgeous?

 

 

 

To see more of Lauren’s beautiful artwork, you can visit her website. Teachers and librarians can click on these links to find out about Lauren’s presentations and educational resources, including a core curriculum guide for Minna’s Patchwork Coat.

Thank you, Lauren, for sharing your wonderful process with us!

About Author/Illustrator Lauren A. Mills

Lauren A. Mills is the award-winning author and illustrator of The Rag Coat and The Goblin Baby, and she has retold and illustrated Thumbelina, Tatterhood and the Hobgoblins, and The Book of Little Folk. She is also the author of Fairy Wings, Fia and the Imp, and The Dog Prince, all of which she co-illustrated with her husband, Dennis Nolan. Her work has been exhibited in galleries and museums across the country, including the National Museum of Women in the Arts. Her stories have been performed by storytellers and actors across the country and on the radio, and The Rag Coat was performed as a ballet by the University of Utah. Mills is a visiting associate professor of drawing in the Children’s Book Writing and Illustrating MFA program at Hollins University in Roanoke, Virginia. She invites you to visit her website.

About the Blog Author

Laurie J. Edwards is also an author and illustrator, who was lucky enough to have Lauren Mills as her drawing professor in the Hollins University MFA program in Children’s Writing and Illustrating. Edwards is the author of more than 2200 articles in magazines and educational databases as well as twenty books in print or forthcoming. Read more about Laurie J. Edwards and her books and art at her blog and website, or connect with her on Facebook and Twitter.

A Mixed Up Files Book Birthday for DORI HILLESTAD BUTLER

Dori-220x250-72dpi-ColorWe’re celebrating the book birthday of our own Dori Hillestad Butler and her newest title in the Haunted Library series, A GHOST AT THE FIRE STATION. Dori is the award winning author of 12 picture books, 7 middle grade novels, and 2 chapter book mystery series, The Buddy Files and the Haunted Library. I struggle to get a book published every 2 or 3 years so I’m completely dazzled by Dori’s productivity. We had a brief opportunity to meet at the Pacific Northwest Booksellers Association trade show this fall and I was so charmed by A Ghost at the Fire Station, that I immediately gave it to my local school library. Here is our conversation about her books.HL6_PbCover

  • This is a charming twist on the usual chapter book kid detective. Was this a packaged deal that a publisher approached you with or did you come up with the concept entirely on your own? What was your initial spark for the idea?

Thank you. No, I came up with the concept on my own. I got the idea when I was writing book 6 in my Buddy Files series. That book is called The Case of the School Ghost, so of course there’s a plot thread involving a ghost. But when I was talking through my outline with my husband, he thought I was getting a little too carried away with the ghosts. The Buddy Files is about a school therapy dog who solves mysteries. My husband said, “If you want to write a ghost series, write a ghost series. But this is your dog series. You can’t introduce a whole world of ghosts into this series now.” He was right. And that was the beginning of the Haunted Library.

  • Oh I’ve had that happen too. A character showed up in a story and completely derailed the whole thing. I had to take her out and write an entirely different book for that girl. I was a huge Encyclopedia Brown fan as a kid. Did you have an inspiration for your main character Claire?

Not so much for Claire, but there is someone who inspired Claire’s “Grandma Karen,” the librarian in the series. And that’s my friend, Karen Stierler. Karen works with the teens at the Coralville Public Library in Coralville, Iowa. She’s interesting, fun, and always up for trying something new. She genuinely likes and respects teenagers and knows how to talk to them, inspire them, and make them feel welcome at the library, when they may not feel welcome anywhere else. Every library needs a Grandma Karen! Last I knew, Karen Stierler did not have a pink stripe in her hair. And when I returned to Iowa for my Haunted Library series launch party last year, she was off biking in the Himalayas. But if she could have been there, I have a feeling she would’ve put a pink stripe in her hair for the party.

  • The Himalayas? That’s one intrepid librarian. Lucky Coralville to have such a treasure running their library. How do you strike the balance of thrilling enough but not too scary for young MG readers?

It is a balancing act. Young readers like scary stories, but they don’t want them to be too scary. For me, the key to writing a ghost series with the just right amount of “scare” is to think of my ghosts as “transparent with people with superpowers” rather than to think of them as dead people. That was my editor’s phrase…and it really helped! Transparent people with superpowers is FUN. It’s not scary.

  • I love that description too. I have a lot of conversations in the bookstore about finding the book that’s exciting enough without provoking nightmares. Did you plan out the entire series from the start with an overall plot arc or are you working more loosely making the plot of each one fit with what’s gone before as you write?

Funny you should ask me this. Yes, I had a series arc. From the very beginning, I had a general idea of how the series was going to move forward with each book and a very definite idea for what was going to happen in the last book. The final book would truly end the series. I thought book 8 (which I just turned in a couple weeks ago) was going to be the last one, so I wrote the story that I had saved for the end. Two days after I turned in the final revision, the publisher asked for two more books!  It took me a couple days to wrap my head around the idea of continuing a series that in my mind was complete. Of course, there’s always a way! I rewrote the last couple chapters of book 8 and now I’m ready to keep going. I’m thrilled that my publisher wanted to continue it after all and I’m excited about spending more time with Kaz and Claire. But from here on out, I’m not really thinking “series arc” anymore. Now I’m really just building on everything that’s come before.

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  • This series is not your first work in mystery writing. In fact you won a very prestigious Edgar Award in 2011. I’m just going to point out that the Edgar Award is the most adorable book prize ever! And I’ve heard that the Edgar banquet is a really fun event, very warm and collegial. What makes mystery so appealing to write?

I’ve always loved mysteries, and I think writers should write what they love. I love the adventure. You know your main character is going to be doing things. They have to if they’re going to solve the case. I love creating a puzzle, which again, is another balancing act. You want the reader to be able to follow the clues and solve the case along with your main character, so you need to create a trail that’s clear and logical, but you don’t want the reader to figure out what’s going on as soon as you drop the first clue. There’s a predictable structure to a mystery. And rules to follow. The reader knows that in the end the mystery will be solved and justice will prevail.

But I think what I like best about writing mysteries for kids is the fact that reluctant readers are often drawn to them. There’s nothing more satisfying to me than to hear, “I didn’t like reading until I read your [insert title here].” If something I’ve written leads a reluctant reader to try another book, then I’ve done my job. And I’ve made a difference in someone’s world. No award is worth more than that.

Wonderful! Thanks for sharing your thoughts, Dori, and happy book birthday!

Dori will be giving away one of these books to a commenter next week, so leave your questions or comments below.