Book Lists

And I would write 500 more. Just to be the author that writes 1,000 words and falls down on the floor.

https://www.youtube.com/watch?v=tbNlMtqrYS0

Let’s face it. Writing is HARD. Especially now when authors have major distractions like Facebook, Twitter, Pinterest and other various forms of social networking.  Not only are these things a major time suck, but they open us up for comparisons. It’s hard to avoid these detrimental comparisons when we’re inundated with words and images that remind us we’re not good enough.

And because writing isn’t the only place where I feel like a failure, you’ll need to double click the above image in order to read the microscopic words I’ve so cleverly crafted.

There’s the other part of the inferiority I feel on a daily basis: I’m not agented.  My published books are co-authored by my 13 year old daughter (which I love, but I worry that others may think it’s weird, or think I’m not a “real writer”).  I’m with a small press so there haven’t been reviews. Without reviews its been extremely hard to get my book into schools, let alone the hands of readers. Some days I wonder why I do it. Why do I bother?

Those emotions brought me down so far that I stopped writing.  Last year between my final edits for Cinderskella and my first draft of Little Dead Riding Hood, I wrote nothing. From submitting LDRH to my publisher until January of this year I wrote nothing. Nada. Zip. Zilch. Big fat zero. For NINE MONTHS. I could have – quite literally – given birth during that time. To a book or a baby, choice is yours.  But I didn’t.

Instead, I worried.  Fretted over sales. I wallowed. I compared myself to others. I sulked in self pity.

While I was away from writing, I just sank deeper and deeper. Staying away from writing wasn’t helping me. In fact, it was making things worse.  And seeing updates from other authors definitely contributed to my feelings of failure. Why couldn’t I accomplish what they were? Why wasn’t I making the time for something I enjoyed so much?

Then, sometime during the holiday season, author J. Scott Savage posted a challenge on his Facebook page.  (Yes, in this instance, FB helped!)  He challenged authors to write 500 words a day in the new year.

A little spark lit within me. I could do this! Large goals are always better when broken down into bite sized pieces.  It’s true with anything – education, weight loss, and yes, even writing books. We need to meet little goals in order to achieve the larger one. So instead of thinking about writing a 60,000 word book and being overwhelmed by that concept, I would focus on the little goal of 500 words each day. I even did the calculations. I could write one book in four months. Three books a year.

So, unbeknownst to Scott, I set the goal to write 500 words a day.  I was going to excuse myself on weekends (which would mean my final goal would take a little longer, but I was okay with that).  Five days a week, I was going to sit down and write. All I needed was a half hour.

This is how my first week went:

Day 1 – *stares at blank word doc* Type something. Anything. *types two words* Think! THINK! *types five more* *stares at clock* It’s only been 10 seconds? Good grief! FOCUS! *45 minutes later, 501 painful words are typed*

Day 2 – *stares at previous 501 painful words, sits on hands to prevent from deleting them* Okay. This time DON’T THINK. That’s where you went wrong yesterday. You were thinking TOO hard.  Just type. *30 minutes go by, 621 words are typed*

Day 3 – *refuses to stare at screen* Don’t read what you wrote. You know it’s garbage. It doesn’t matter. Just write. *30 quick minutes later, 1,250 words are typed*

Day 4 – *remembers scene, eagerly gets to work* *60 minutes later, 2,500 words are typed*

Day 5 – * opens document, fingers itching to start* *90 minutes later, 3,200 words are typed*

It speaks for itself, really. I found that once I forced myself to sit down and write, the words flowed. Sure, there were tough days, (and there still are) but I’m writing again! I’m excited about my stories! I’ve set an easy goal and I’m able to reach it each day.

This goal has taught me a lot about myself, too.

1 – I don’t have to write every day.  (This recent post from Nathan Bransford helped confirm that.) Yup. It’s okay not to write on weekends. Or when I’m sick. Or if my day is super busy. Just as long as I get back in the saddle as soon as I can, it’s okay to take a day off.

2 – Every part of writing – whether it be storyboarding, plotting, or  creating characters – matters. Even though word count isn’t increasing or progressing, that’s okay. The story is! I allow myself to take credit for every step of the journey.

3 – My accomplishments are my own and I don’t need to compare myself to others.

I love what I’ve learned about writing, about myself, during this process.  I’m going to keep on keeping on with my 500 words a day because I see progress. I’ve felt my inner growth. And that’s what matters most.

What about you? What kinds of goals have you set? What helps you as a writer? I’d love to hear your comments and ideas!

Amie Borst is a PAL member of SCBWI. She writes twisted fairy tales with her 13 year old daughter, Bethanie. She’s writes 500 words a day, even if they’re terrible. Find her at her blog, facebook, twitter, and pinterest. Add her books on goodreads!

Hello Mixed-Up Filers!

How is everybody? I know many of you are saying to yourselves, “Whoa, Jonathan, are you sure it’s time for you to go again? I mean, it’s only been two months since your last post!”

I know! Believe me, I was shocked too. I wasn’t expecting to go before sometime in July. But, since they surprised me and let me go now, here we go.

This is an unusual post, (well, aren’t they all?) in the fact that I am not writing about any books in particular, but just about a state of mind and a process. It actually hit me because of Baseball Spring Training. I love baseball. It’s my favorite sport. So much more strategy than in any other game. People who think otherwise, please don’t write me to disagree, because you’re wrong. But anyway, the thing about baseball and spring training, is that it’s a rebirth. The previous season has died and is no more. So, all the teams technically have a fresh start. As I said, it’s a state of mind. Anything is possible. Now, realistically we know that teams like the Marlins and Astros have zero shot of winning the World Series this year, but in Spring Training, it’s a magical time where we believe that anything is possible. Heck, I even get optimistic about my New York Mets, well that is until the season starts and I come crashing back down to earth and curse the fates for making me a Met fan, but still, we believe that miracles can happen. And why not? That’s what this is about. That’s what I find happening to me with regard to writing.

A rebirth. My rebirth.

Now, I know that New Year’s is usually the time to get that sense of rebirth and new beginnings, but it doesn’t work that way for me. And I think the reason why is because New Year’s is still winter. I know, I know. I live in Florida. The people panic here when it reaches the 50’s, but it IS still winter. Even though it’s more of a state of mind than a grey-sky, cold weather thing, it IS still winter. I mean, we’ve just finished up hearing Christmas songs on the radio and making resolutions, so that frame of mind does exist. But when baseball returns, my mental switch changes. It’s time to get out of the winter doldrums and get a sense of renewal. As I said, a rebirth.

For those who know me, you know that I am an extremely private person. EXTREMELY. I don’t like to share things, especially private things. But, I realize that I did just that in my last post at New Year’s and I am doing it now. It’s because writing is such a personal thing, those natural feelings tend to come out. In the back of my mind, I do realize that other people are going to read this, and knowing my comments section after I post, it’s around one or two other people, but I do know. Still, you can’t help the personal feelings from coming out. So, again for those who know, I had a very down year. Life happens. Issues with the health of my parents, some thisclose misses with writing, and the fact that I was currently working on a dark story, which had a lot more to do with feelings aof concern for my parents than I cared for, sent me to a place where I didn’t write. I just couldn’t. I was in a place where I couldn’t find the inner strength. Inside I knew that those who don’t write have a very difficult time getting published, weird how that works, huh? But I still couldn’t get myself to go. I mean, I didn’t stop entirely, but the passion I always have in losing myself in it, waned.

Until recently. That’s the new season to me. The rebirth. I’ve been sitting and writing and have that spark again. It’s not a psychosomatic thing, or maybe it is, but either way, I again found that passion to lose myself in my stories. And embrace it. It’s spring, a time for new beginnings.

A renewal.

A rebirth.

Anything is possible in a rebirth. This is the time. We are made new again. Miracles are possible. It is time to embrace the possibilities once again.

Get back to the story you let go. Get back to the feelings you once had for it. Get the passion back.

This is your time.

Anyone have anything similar? Would love to hear from others about how they revitalize themselves.

I’ve long been a fan of graphic novels and so I was delighted when my friend and amazing author Lyn Miller-Lachman offered to write a round up of great MG Graphic Novels. Take it away Lyn!

Middle Grade Graphic Novel Picks from the 2013 Cybils 

This past fall, I was invited to become a member of the first round Graphic Novel panel for the 2013 Cybils Awards. My interest in graphic novels has grown out of my own work, writing and photographing an interrelated collection of short stories using LEGO minifigures and settings that I post on Instagram and have begun to publish on my blog. (For a sample of my work promoting literacy and libraries, see my mini-story “How Rainha Lost Her Crown” here.)

Being part of the Cybils panel exposed me to a wide variety of graphic novel styles and genres. The middle grade and young adult submissions (there were separate categories for elementary/middle grade and YA) included historical fiction, contemporary realism, high fantasy, paranormal, mystery, science fiction, and humor. About half of my choices overlapped enough with those of other panelists to make the shortlist, but being more a fan of historical and realistic fiction meant I was odd person out on a couple of books. The titles described below represent my favorites but also my effort to recommend books in a variety of styles and genres for readers at the elementary and middle school level.

Each of the Cybils panelists was tasked to annotate a book to go on to the second round. I chose John Lewis’s March Book One, illustrated by Andrew Aydin and released by Top Shelf Productions.

I wrote, “The visit of a constituent family from Atlanta to witness the inauguration of President Barack Obama frames this story of Congressman John Lewis’s childhood in Alabama and his involvement as a college student in the civil rights movement. Readers see Lewis preaching to the chickens on his family’s farm and making a difficult choice on whether to integrate an all-white public university near his family’s home. A comic-book account of the Montgomery Bus Boycott inspired Lewis to become an activist in the 1950’s, and Lewis’s graphic-novel memoir will inspire readers to make a difference today.”

Like March Book One, Nathan Hale’s Hazardous Tales: Donner Dinner Party (Amulet) uses the techniques of fiction to explore a moment in history. Donner Dinner Party is the third in Hale’s series that employs metafiction (commentary on his storytelling itself) for both education and humor. The graphic novel follows a doomed

party of settlers traveling to California in 1846 as they make a series of bad choices leading to their having to spend a winter in the snow and bitter cold near Truckee, California, resorting to cannibalism in order to survive. Fans of the classic Oregon Trail video game (which has been reissued for a new generation) will recognize the disasters that befall the migrants and their animals, from broken legs to dysentery. The artwork matches the breezy narrative style and over-the-top humor. This graphic novel is a great choice for showing reluctant readers that history can be fun.

Speaking of reluctant readers, I have a friend whose son, a seventh grader, has struggled in school and is now in danger of repeating the year. He has never read a book on his own, but when I finished Jeffrey Brown’s Star Wars Jedi Academy (Scholastic), I passed it on to him. I thought he would like this story of middle schooler Roan Novachez, whose test scores keep him from Pilot Academy and get him assigned to Tattooine Agriculture Academy instead. At the last minute, a disappointed Roan gets into the brand-new Coruscant Jedi Academy, where he struggles to fit into a demanding program and wonders why he was chosen to become a Jedi. Roan keeps a cartoon journal of his first year at the academy, and the style of the graphic novel is consistent with the work of a decent-but-not-great artist who is sensitive, optimistic, and funny. Roan is the oldest student at the academy, and he ultimately becomes someone who the younger students look up to. My friends’ son read this graphic novel in one evening, giving it milestone status in their house. It’s a great book for showing reluctant readers and other students who struggle that there are different ways of contributing to the world.

When Barry Deutsch’s Hereville: How Mirka Got Her Sword came out in 2010 from Amulet, I became a fan of this plucky Orthodox Jewish girl who chafes against the rules that restrict her to the kitchen and sewing-room. But that is where we find her at the beginning of Hereville: How Mirka Met a Meteorite, knitting beanies as punishment for her efforts to become a superhero. When Mirka saves Hereville from a meteorite, the ball of flaming rock becomes Metta, a Mirka look-alike. Mirka hopes to use Metta to get her out of unpleasant work at home and problems at school so that Mirka could continue to be a free spirit, but Metta causes far more problems than she solves. Deutsch combines delightful fantasy with realistic details of modern Orthodox Jewish life to create an engaging 11-year-old heroine and a warm, multi-dimensional portrait of family and community.

Graphic novels tend to appeal more to boys than girls, but the Hereville series and Ayun Halliday’s Peanut (Schwartz & Wade) feature female protagonists and stories with girl appeal. While Peanut is set in a high school (and there are some sexual references that should have put it into the YA category for the Cybils), the story will resonate with middle school girls who worry about where they fit in on the social ladder. Sadie is starting over at a new school, and this time she wants to make a lot of friends. She gets the idea that a peanut allergy will gain her attention and sympathy, but despite some initial success she finds that one has to be even more vigilant when the allergy is fake than when it is real. The minimalist artwork is attractive and expressive, revealing the emotions of the teenage characters in subtle and powerful ways.

One of the most distinctive Cybils entries in terms of artwork is Matt Phelan’s Bluffton: My Summers with Buster Keaton (Candlewick), which also features a complex and thought-provoking story. What goes around comes around, and Bluffton, like March Book One and Donner Dinner Party, is set in the past, this time on the eastern shore of Lake Michigan beginning in 1908. Henry has a boring life going to school and helping in his family’s store. Every summer he looks forward to the vaudeville show in his resort town. Playing baseball one day with his friends, he meets Buster Keaton, a child vaudeville performer. Henry longs to have Buster’s glamorous life. Buster doesn’t say much, but readers see through Phelan’s expressive watercolors that Buster wants a different life as well. While the artwork portrays and reflects the historical setting, the overall theme—wanting what someone else has—is contemporary and universal.

In all, I learned much about graphic novel art and storytelling from my time on the Cybils panel. I look forward to reading and reviewing more in the future.

Lyn Miller Lachman is the author of the novels Rogue and Gringolandia.