Posts Tagged librarians

STEM Tuesday — Ecosystem Recovery– Book List

Ecosystem recovery and restoration is a fascinating topic and these books offer glimpses of what it takes to tackle such an endeavor. Pick a habitat and dive in, you won’t be disappointed!

 

Rise of the Lioness: Restoring a Habitat and Its Pride on the Liuwa Plain by Bradley Hague

The story of Lady, the last lioness, is where the book begins. It’s a heartbreaking tale of how an ecosystem can decline in a short period of time. With great information about the Liuwa plain ecosystem, Hague delivers an excellent discussion of its successes and failures; particularly referring to the lost pride of lions. Additionally, he follows with an examination of the recovery program implemented for the plains. With an instructive glossary of terms; Rise of the Lioness is a great tool for those interested in ecosystem management and the challenges involved.

 

The Brilliant Deep: Rebuilding the World’s Coral Reefs by Kate Messner and Matthew Forsythe

Although this book has spare text, it focuses straight away on the scientific method using Ken Nedimyer’s research as its muse. Ken’s interest in the ocean and the changing coral reefs began a movement resulting in reef restoration around the globe. His queries and testing allow readers to understand the process involved in research. His story is a great example of how one person can create something wonderful, Messner and Forsythe did a wonderful job of bringing it to life.

 

Planet Ocean: Why We All Need A Healthy Ocean by Patricia Newman and Annie Crawley.

Planet Ocean is a fabulous journey in understanding the role oceans play in our lives. Newman and Crawley circumnavigate the globe as they observe and discuss changes that are occurring in today’s oceans and what that means for us. QR codes are included, they lead to videos that help explain the concepts discussed. Additionally, the book highlights people of all ages interested in saving the oceans – including students. There is a glossary of terms and a bibliography for those interested in learning more about the subject to round out the material. Visually stunning, this book is a must-read for ocean enthusiasts. 

 

Bringing Back the Wolves: How a Predator Restored an Ecosystem by Jude Isabella and Kim Smith.

This is a beautiful book on an incredible story of transformation, and of the delicate balance in nature. In the 1800s, the American government paid hunters to hunt down wolves that were a danger to the cattle ranches near Yellowstone National Park. It resulted in wolves being completely removed from the ecosystem, leading to an overpopulation of elk, which caused devastation in nearly every part of the ecosystem. In the 1990s, wolves were introduced into the park again, and it revived the balance of nature. Filled with beautiful art and informative sidebars, this is a very accessible book for both the casual and the serious reader.

 

A World Without Fish book

World Without Fish by  Mark Kurlansky (Author), Frank Stockton (Illustrator)

Kurlansky does a superb job of connecting all the dots—biology, economics, evolution, politics, climate, history, culture, food, and nutrition—in a way that kids can really understand. It describes how the fish we most commonly eat, including tuna, salmon, cod, swordfish—even anchovies— could disappear within fifty years, and the domino effect it would have: the oceans teeming with jellyfish and turning pinkish orange from algal blooms, the seabirds disappearing, then reptiles, then mammals. It describes the back-and-forth dynamic of fishermen, who are the original environmentalists, and scientists, who not that long ago considered fish an endless resource. It explains why fish farming is not the answer—and why sustainable fishing is, and how to help return the oceans to their natural ecological balance.

 

Wangari Maathai book

Environmental Activist Wangari Maathai (STEM Trailblazer Bios) by Jennifer Swanson

 

Swanson does a great job of highlighting an amazing STEM trailblazer who helped to rebuild an ecosystem. When Maathai was young, it was unusual for girls in Kenya to go to school, but she was determined to learn more about science and nature. As an adult, she noticed that people were cutting down too many trees. Maathai knew that forest loss was bad for the health of the environment and people. She started the Green Belt Movement, which educated women in rural villages and paid them for every tree they planted. The program helped plant millions of trees and brought money to the villages. For her environmental and human rights work, Maathai became the first African woman to receive the Nobel Peace Prize.

The Puffin Plan boo

 

The Puffin Plan: Restoring Seabirds to Egg Rock and Beyond 
by Derrick Z. Jackson (Author), Stephen W. Kress PhD (Author)
 
Fifty years ago, a young ornithologist named Steve Kress fell in love with puffin. After learning that hunting had eradicated their colonies on small, rocky islands off the coast of Maine, he resolved to bring them back. So began a decades-long quest that involved collecting chicks in Canada, flying them to Maine, raising them in coffee-can nests, transporting them to their new island home, watching over them as they grew, and then waiting—for years—to see if they would come back. This is the story of how the Puffin Project reclaimed a piece of our rich biological heritage, and how it inspired other groups around the world to help other species re-root in their native lands.
 
 
 
 
Restoring the Great Barrier Reef by Rachel Hamby
 
This book examines the threats to the vibrant barrier reef off the Coast of Australia. The threats include climate change, overfishing, tourism and chemical runoff from farms. The book describes how the government, scientists and farmers are all working together to restore the reef. This book is one of four in the “Saving Earth’s Biomes” series. The others are: Protecting the Amazon Rainforest, Restoring the Great Lakes and Saving the Oceans from Plastic.
 
 
 
 
 
 

Susan Summers can be found exploring ecosystems near her, enjoying what nature has on offer. Visit her at her website: https://susan-inez-summers.weebly.com/

 

Shruthi Rao is at home among the trees. Her home on the web is https://shruthi-rao.com 

 

The (Almost) No-Rules Storytelling Project for Middle Graders: “Tell Me a Story”

For those of you starting to compile ideas for the new school year, here’s a storytelling project that promotes creativity, engages interest, and can be readily differentiated.

Early fall is a great time for a storytelling activity for middle graders in your ELA classes, library or author workshop, or homeschool sessions. Learners might be eager to employ creativity after summer break, and seeing evidence of student work through storytelling early on can guide your personalized instruction moving forward. Students’ topics might connect with middle grade titles you plan to introduce. And as these early-in-the-year projects might be a little more loosely structured than formal writing assignments later, it’s a nice way to ease into the workload of a new year.

So for an (almost) no-rules storytelling project, consider saying to your Language Arts, homeschool, or library students, “Just tell me a story…”  Then stand back for the flood of questions! “Real, or made up?” “Does it have to have me in it?” And of course, “How long does it have to be?”  For an open-ended storytelling project like this, almost anything goes—fiction or creative non-fiction; almost any genre; set in current times, recent or long-ago past, or the future. Really, once the most basic of guidelines (appropriateness, length or time involved, etc.) are established, set storytellers free to compose and create.

What’s more, an open-ended storytelling project has great flexibility for differentiation. Some, most, or all of a story might be told visually, told aloud, told through song or drama, told with or through a partner or group… and even if the student utilizes minimal or no written words, you can still assess their story sense with categories that might feed your rubric creation:

  • their ability to perceive and comprehend conflict and characters/key figures;
  • their ability to convey setting and passage of time; and
  • their ability to communicate messages, lessons, and themes to others.

Here are some ideas to get your assignment wheels turning in preparation for an (Almost) No-Rules Storytelling project:

1. Try timed brainstorming by categories for idea generation (books read, places visited, fun family times, cool facts, weird tales), then narrow down to potential story topics.

2. Once a writer has an idea, they can think about all the ways in which the story might be told:

  • Graphic/comics-style story – Show some great graphic novel or memoir examples to get storytellers’ wheels going (When Stars Are Scattered, New Kid, El Deafo).
  • Map story – The writer draws a map that includes all the locations important to their story, then briefly summarizes the story’s events in brief phrases or images associated with those micro-settings.
  • PTD story – Story events are summarized or sketched on a traditional Plot Triangle Diagram (or create a plot diagram that is not so traditional!).
  • Drama performance – Write the story in “sides” like Shakespeare used: Each performer holds a list of their lines, each with a bit of the previous line to serve as the cue. A great exercise in listening, reacting, and communication!
  • Musically – Tell the story set to original music or to a known song reset to the student’s story in lyric form; add movement (dance, statues, interpretive movement, etc.) if the storyteller would like.
  • Art series – Tell the story in a series of sketches, paintings, drawings.
  • Photography – Show examples of photo essays or photojournalism; storytellers use a camera and a series of images they photograph to tell a story. (Or, offer class members a series of abstract, unrelated images taken with your camera and challenge each learner to tell a story based on the images.)
  • Oral storytelling – Storytellers use whatever notes they want to suit their comfort level as they tell the story aloud.
  • Group storytelling – Group members add on lines or plot spontaneously to keep a story going; or, group members can generate a story in pieces while working independently, then compile the events in a way that tells a cohesive story.

3. Encourage students to think outside the box, and to feel free to experiment with form, structure, and style. Combine two or more methods of storytelling or invent an original way to tell the story.

4. Ready some resources for inspiration:

Secrets of Storytelling by MUF’s own contributor Natalie Rompella offers ready-made activity sheets, writer tips, and fun story prompts.

Writing Magic by Gail Carson Levine – Chapter One is online here and includes starters and advice.

Story cubes are fun for everyone and might especially benefit visual learners and English language learners in the idea generation process.

5. Finally, for inspiration, share some MG titles with learners in which characters’ storytelling is part of the plot:

Anything But Typical by Nora Raleigh Baskin – Twelve-year-old Jason is autistic and often struggles with relationships in a neurotypical world. Thanks to a site where Jason posts original stories, he has the chance to make a friend in a fellow writer named Rebecca—if he can just work up the courage to meet her.

Isaiah Dunn Is My Hero by Kelly J. Baptist – To get by in tough times, young Isaiah looks to his late father’s stories about Isaiah’s inspirational superhero self.

Welcome Back, Maple Mehta-Cohen by Kate McGovern – Eleven-year-old Maple loves dictating stories into her recorder—but reading words on the page is difficult due to her dyslexia. When Maple must repeat fifth grade, she uses her storytelling skills to hide the truth from classmates.

Good luck to all educators as you ready your stellar assignments for fall, and thank you for the invaluable work you do for middle graders and all learners.

STEM Tuesday — Fungi — Writing Tips & Resources

You know what I love? A chance to get nerdy about science and writing! So this month’s list of fun-gal books provided lots of fun for this gal. In addition to surprising facts—Did you know fungal spores can sometimes seed rain?—I found at least ten different ways to categorize these books. How many can you come up with? For this post I’ll share just one so I don’t steal all the fun 🙂

Today we are going to have a blast, do something dynamite, experience the supercalifragilisticexpialidocious! Today we are going to analyze books based on the Common Core-English Language Arts.

 

 

 

 

 

Wait. Why aren’t you jumping with joy? How come I don’t hear any gleeful giggles?

Maybe—whether you are a kid gritting your teeth through class, a teacher grinding through lesson prep, or an adult writer grasping to “get” this industry—just maybe you need practice romping in the joy of discovery.

Let me show you how it’s done.

Dip into the ELA standards and you’ll see three types of writing described:

  • informative/explanatory texts,
  • opinion pieces,
  • narrative writing (true or imagined stories).

Joy, oh, joy right? Okay, maybe not. That info is sitting there is like a lousy lump. A bunch of blah, blah, blah. We all know that science books are informative. They are explanatory texts. Duh.

But what if I found something a little suspicious in our fungal stack? Would you zoom in closer with me? Would you be willing to search out some odd evidence?

If you were on a hunt for a piece of narrative writing, what would you look for? A character. Action. Some voicy voice? Pick up a copy of Rotten Pumpkin: A Rotten Tale in 15 Voices and you could say: check, check, check!

If we want to get academic, plop the book down beside the ELA Standards for writing, 4th grade. According to the Core, narrative should:

  • orient the reader by establishing a situation. The opening page of Rotten Pumpkin does this loud and clear: “Here I stand, bright with light, proud and round. Tonight is my glory night.”
  • introduce a narrator. Jack the smiling pumpkin draws readers in.
  • use sensory words to convey experiences. “My vomit dissolves pumpkin nutrients so I can lap them up. A delicious, nutritious smoothie!” Whoever said analyzing books had to be boring!?!

I could go on about how this could be lumped in with narrative books, but I’ll leave the rest to you. Go ahead, I’ll make it super easy and put the link to the standards right here and the link to an online preview of the book right here. Now, you go find more evidence.

And then there’s opinion writing, something you might not expect to get a whiff of on a serious, science blog post, but COME ON! Opinions spice things up! Consider why The Mushroom Fan Club, by Elise Gravel, is just such a hoot. Hint: It’s not because she’s all straight-laced and impartial. Nope.

She even admits to being obsessed. And just what, pray, is she trying to prove? The first spread: “It’s like a treasure hunt” and the last: “So, did you enjoy our TREASURE HUNT?” kind of give it away.

For practice, pair up Gravel’s text with the 4th grade standards to find examples of

  • “create an organized structure”
  • “provide reasons that are supported by facts”
  • “link opinion and reasons”

Lookie, lookie at what you’ve done. Found a little fun matching this mushroomy stack with the Common Core’s three categories of writing. I knew you could do it! Now, I wonder what you would find if you looked at Melissa Stewart’s 5 Kinds of Nonfiction instead…

 

 

 

 

 

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Heather L. Montgomery loves taking a closer look at fungi (and slugs and bugs and poop and anything else in nature). Then she writes (narrative or opinion or explanatory books about that supercalifragilisticexpialidocious stuff. Books like: Who Gives a Poop? Surprising Science from One End to the Other, Something Rotten: A Fresh Look at Roadkill, and What’s in Your Pocket? Collecting Nature’s Treasures. Learn more at www.HeatherLMontgomery.com.