Reading and Writing Boston

This summer, like most summers, I spent in Boston, visiting family. I took walks, met with friends, and went to the bookstore with my kids. One day a nice bookseller and I got to talking about children’s novels, and he pulled out one for me. “I loved this,” he said. “And it’s local.” 


Make way for the bronze ducks in Boston's Public Garden

It was the word “local” that intrigued me. I’d never had a bookseller tell me that before. 


Anyone who knows me knows that I love Boston. If you read my stuff, you’ll see that most of what I write about happens somewhere there. It might be because I studied writing in Boston. Or that the area has been home to many famous writers (Louisa May Alcott, Ralph Waldo Emerson, and Edgar Allen Poe to name a few), and I’m picking up on their vibe. Or it could be the ducks

Whatever the reason might be, I hold Beantown accountable for many of the writerly experiences in my life. So I took the book from the bookseller, and decided to give it a try. 

churchdoor1.jpg picture by minabird

A very Boston door

Meanwhile, I was emailing with my editor about interior art for my middle grade novel set in Arlington, a suburb of Boston. I sent her a picture I’d taken of a beautiful church door that I thought could be used as a model for one of the illustrations. In my email, I wrote: The door is very Boston

Later, I thought about what I’d written. 

I began to wonder, what made a book “very Boston”? Was it the names of streets and landmarks? Was it the kind of plants growing in the characters’ yards? Was it the way they spoke to each other, or that funny accent they had with the missing r’s? 

I decided to do some detective work. 

I rounded up as many children’s novels set in Boston as I could. Everywhere I went, booksellers and librarians were initially stumped by my request: books set in Boston…for kids? Had anyone asked such a thing before? But they were curious, too – and got involved in the detective game along with me. 

Eventually I amassed a pretty bundle of books. I wasn’t exactly sure what I was looking for. I was hoping to zero in on the ingredients that made these books distinctly Boston. But maybe I was also trying to figure out if my book was “local” enough, too. 

When I finished going through them, I discovered a few things: 


Rachel has to choose between America and the Crown

In a place like Boston, history runs long and deep, in the stories of the Colonialists, of the American Revolution and the battles waged and the lives lost. But history lives everywhere and if you dig far enough, any place will offer unique stories and circumstances that force characters to make choices, and to grow as people. 

In Ann Rinaldi’s FIFTH OF MARCH, Rinaldi creates the compelling character of Rachel, an indentured maid to John and Abigail Adams, who stands in support of her friend, a British soldier tried for murder during the Boston Massacre. Rinaldi fashioned Rachel after reading through accounts of a real girl working for the Adams family. But in Rinaldi’s work of fiction, Rachel is not just a working girl, but someone who is struggling with the complexity of shifting loyalties between Colonial America and the Crown of England. 

10-year-old Emma saves the Colonialists

Similarly, Marissa Moss creates a completely fictionalized journal, EMMA’S JOURNAL, based on the real diaries of girls living in the 1770s, who helped to spy for the American rebels against the British. The choices Emma describes making in her journal, are modeled by the real-life decisions girls made when coding secret information that they passed on to the American rebels. 

Both of these books are utterly fascinating and gripping without being history lessons. But the history of real places is a great place to mine for fiction. 


Transcendentalism and learning to fly

Jane Langton’s gem of a book, THE FLEDGLING, is set at the famous Walden Pond in Concord, MA, the home of Henry Thoreau and the birthplace of transcendentalism. The book not only pays homage to Thoreau and his teachings in kid-friendly form, but it’s also about a girl who learns to fly! From a goose prince, no less! THE FLEDGLING , which won the Newbery Honor in 1981, is actually part of a series of books all set in the same place, alternating between different sets of related characters. In these books, Langton shows us how it’s possible to take real locations and characters from history and blend them together artfully with fantasy elements. 


When I was growing up, reading books set in real locations held a thrill for me. It was as if I were given a special lens that allowed me to experience a story as if I were really there. 

Nicky discovers the secret about his dog's previous owner in the streets of Boston

That’s how I felt when I read HOW I NICKY FLYNN FINALLY GET A LIFE (AND A DOG) by Art Courriveau (Abrams). A recent move takes eleven-year old Nicky and his newly-adopted dog on an adventure through the streets of Boston’s North End. Through Nicky’s eyes, you see Italian restaurants and cafes where “little old ladies are out front playing dominoes” and an old-fashioned butcher shop. You see real street names like Hanover Street and Parementer Street, and read about the bronze plaque in front of Paul Revere’s house, where the famous silversmith and freedom fighter worked his ware. Only the names of these real places aren’t from some distant past, but part of the present and Nicky’s quest to uncover the mystery behind his dog’s life with his previous owner. 

Not just that, but my daughter, or myself, or any kid today can take this book and like a map, trace over these same places and know for a moment what it might be like to be Nicky Flynn. 


The Mallards cross over Beacon Hill and the State House before settling in Boston's Public Garden

I’ll bring up one last children’s book, which is quintessentially Boston if not (forgive me) strictly middle grade. Robert McCloskey’s beloved MAKE WAY FOR DUCKLINGS (Viking) literally gives you a birds-eye view of some of the important streets landmarks of Boston, when a family of mallard ducks finally makes their home in the Public Garden. McCloskey’s charming book made such an impression on the “locals,” it was eventually designated as Massachusetts’s official children’s book (the official children’s author is apparently Dr. Seuss). And several years later, a bronze replica of the duck family was installed in the Public Garden. 


I’m so glad I undertook this summer project. In many ways it was a writing project as well as a reading one. I’m not sure why Boston holds such significance for me, or why as writers, we are drawn to write about certain places above others. I do think that a city’s history, the people who lived there, and the customs and manners that become unique to it are all ingredients, that make us feel at home, and allow us to find our authentic voices there. 

And as readers, maybe it’s as simple as saying, sometimes you want to read about places you’ve never seen. And sometimes you want to read about what you already know. But the greatness in books is that by reading, what you’ve never seen, can turn into something you begin to know. 


Here’s a larger list of the books I looked at this summer. Asterisks indicate authors who live or have lived in the Boston area. Special thanks to the booksellers and librarians at  Porter Square Books, The Children’s Bookshop, and the children’s department at the  Arlington Robbins Library. I couldn’t have done this project without your patience and expertise.  And it goes without saying to the rest of us: please support your local bookstores and libraries. 

♦ THE FIFTH OF MARCH (Graphia) – Ann Rinaldi 

♦ EMMA’S JOURNAL (Harcourt, Brace &Co). – Marissa Moss 

♦ THE FLEDGLING (HarperCollins – paperback) – Jane Langton* 

♦ MR. REVERE AND I (Little, Brown) – Robert Lawson 



♦ ALVIN HO- Lenora Look* 

♦ THE ANASTASIA KRUPNIK SERIES (Yearling) – Lois Lowry* 

♦ The CLEMENTINE SERIES (Disney*Hyperion) – Sara Pennypacker* 

♦ MAKE WAY FOR DUCKLINGS! (Viking) – Robert McCloskey* 

Sheela Chari’s debut novel, VANISHED (Disney*Hyperion), is set in a suburb of Boston and features a historic stone church, an exciting bus ride down Massachusetts Avenue (that’s “Mass Ave” to the locals) and a foray into Harvard Square. And um, yes, a cursed string instrument from India. Still, she thinks her book will be local enough when it comes out next summer.

  1. Wow! Who knew Boston was so popular in MG novels. I’ve often wondered if a book’s setting made a difference as to whether a reader would purchase it or not. If someone dislikes Cleveland (I suppose that’s possible), would they veer away from books that take place in that city. Or would an editor ever ask an author to change the locale of the book because of this? Hm.

  2. Since I’m a Boston suburbanite, this post totally made me smile. It’s funny how many children’s books are set in New England, especially the newer classics. This area has so much history that it works well as a rich, interesting setting.

  3. In one of my all-time favorite books ever, The Trumpet of the Swan, by E.B. White, Louis gets a job with the Swan Boats of Boston in the Public Garden. Oh, such a beautiful story and such beautiful settings!

  4. I prefer real settings, and I prefer them not to be in New York or California. I could do with a few English books that never go to London, too.

    Setting is important to me because I was a service brat. My mom would go out of her way to anchor us in each new place by taking us to the historical sites (there are always historical sites; if you think your area has none, you haven’t looked) and seeking out books with local settings. When we traveled, we weren’t allowed to read in the car because reading in the car made Mom travel sick, and we always drove everywhere, so I also spent a lot of time looking out of windows and getting a sense of place. I see my books happening in familiar places, I like to recognize places in books, and I really hate to see inaccuracies in other people’s work. Also, people who don’t normally read will read a book set in their home town; and if it’s screwed up, they resent it and diss the book, regardless of what other virtues it may have.

    This is why you’ll sometimes see me walking around San Antonio with a map and a notebook. Even if I wind up needing to invent a neighborhood, it needs to look and feel and navigate like a San Antonio neighborhood. Otherwise, it’s not good enough.

  5. I love Boston. And I totally get what you mean when you say that’s very Boston. I guess it’s a mix of older styles and unique structures and history. I took a picture with the ducks just this past August!

  6. This is a great list of Boston-based books Sheela! I’m setting my 2nd Suzanna Snow book in a made up neighborhood in Boston, so I am going to be sure to check some of these out 🙂 I think it’s the history of Boston that really draws me in…

  7. Very interesting. All my stories are in Jersey because I’m a Jersey girl, tho’ I’m not sure it has quite the same cache as Boston!

  8. Very cool list. Some places seem to attract stories: New York, Boston, Forks…. (heh) and there are some writers who are so strong in setting I look to their books just to be immersed in a new place. Kimberly Willis Holt does that for me and Kerry Madden.

  9. Thanks for the great list, Sheela. 🙂

  10. Brian – I wonder a lot about setting – often times as writers do we set a story in a place that we know well? Or do we set in a place that appeals to readers? i.e. famous or exotic places. I know there are more reasons than that. But in my experience I find that there are some places where I just can’t set my story, even places that I know fairly well like Manhattan or San Francisco. (I’ve tried and failed).

    I thought it was so interesting that so many writers who set their stories in Boston are from the area as well. I wonder if that’s true about writers elsewhere, too!

  11. Wow! Who knew Boston was so popular in MG novels. I’ve often wondered if a book’s setting made a difference as to whether a reader would purchase it or not. If someone dislikes Cleveland (I suppose that’s possible), would they veer away from books that take place in that city. Or would an editor ever ask an author to change the locale of the book because of this? Hm.

  12. This is fascinating, Sheela! I’ve never been back East (but it’s on my to-do list), so I love reading about all the history and atmosphere of towns such as Boston. Maybe when I do get back there, it will already feel like home thanks to these wonderful books I’m adding to my TBR pile.